A couple of photos from the shoot for you to enjoy until we let it out into the world. A crazy amount of Thank You’s to everyone with Squallis Puppeteers, Bisig Impact Group, The Seelbach Hotel, and my good friends in Wax Fang for taking on such a herculean first video.

Friday, September 17th / Zanzabar / 2100 S. Preston, Louisville / 8 p.m. / $10 @ Ticketfly

“There are three kinds of American folk artists: those who sit, contented, on a back porch contemplating America’s landscape and ways; those for whom its landscape and ways are something to stand against or move boldly through; and those whose America is a shadowy, impressionistic place that moves inside of them. This [latter] is the area that the sombre-voiced Richard Buckner has been exploring since 1984.” (Sylvie Simmons; The Guardian, 2004) Meadow was the 8th full-length recording from Richard Buckner and his second for Merge Records. Meadow marked the latest chapter in a story that began in San Francisco, back in the early 90′s and has seen Buckner chase his muse across the U.S. and Canada many times. Buckner’s body of work has always seemed to be about motion vs. stillness: about the impulse to run away or towards something or about watching something or someone leave or approach. It’s about the restless energy of the heart, full speed ahead, or the consequences taken and embraced, those good and those bad. The false starts, roadblocks, and pitfalls along the way only add to the richness of the journey. Meadow was recorded in and around Brooklyn. The album soars and swells around Buckner’s signature trifecta of enigmatic poetics, swirling melodies, and that voice (oh, that voice!) a drawl that’s somehow haunting and soothing all at once. The melodies on Meadow are fleshed out by a band that reads like a collection of all-stars: Doug Gillard (Guided By Voices, Cobra Verde, solo), Kevin March (GBV, Those Bastard Souls, Dambuilders), JD Foster, and Steven Goulding (Mekons, Gram Parker, Waco Brothers). Buckner has always had a knack for surrounding himself with musicians who challenge him and who bring a unique vision to each project. Doug Gillard’s guitar work is especially poignant here, seemingly the perfect foil as he and Buckner play off one another to add an element to the recordings that is refreshing and new. Simply put, Meadow is Richard Buckner at his finest. One of our greatest songwriters adding to an already impressive canon. Fresh and evocative, poignant and real. Documenting “the modern age wrapped up in the frustrations and sympathies of a wanderer” (Austin Chronicle).